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Without vidicon all the vikicko type tubes were able to use a light-breathing technique to improve sensitivity and contrast. The illumination target of this tube is restricted from any video output that can be reduced to a certain level before the output results. Light winding is a method that illumination targets are illuminated from a light source, so that there is not enough appreciation, but a slight increase in the light level in the light of the scene was enough to provide visible output. The light comes from an eyelid mounted around or from the source of the tube base, to more professional cameras and to the goal of light piping. The technique baseline does not work with the Vidicon tube because it was damaged due to restrictions, since the goal was fundamentally a preventive, the constant low light level created a charge which would reveal itself as a 'fagging' form. There were other types of semiconducting targets that this problem was not.

Color camera

Early color cameras use a clear technique to use different color red, green and blue images with color separator, which is still 3CCD today's solid-state camera. It was also possible to create a color camera that uses a single image tube. A strategy has already been described (Trinikon above). More general techniques and easier to facilitate the formation of tubes are repeated in color, green, cyan and clear filters (such as green, green + blue and green + blue + red) across the color stripe filter. The advantage of this system is that for almost every color, the video layer of the green element was always less than that of Saiyan and likewise the cyanata was always less than white. Therefore the contributor photo tube can be separated without any reference electrode. Three levels were the same, then that part of the scene was green.

Due to the diversity of this project, two filters are used with main filter-colored buckets so that the letters contain vertically oriented loyen shapes overlining. The color extracting method is similar however.

Field-serial color system

In the 1930s and 1940s, color systems developed in order of sequence, which synchronized motor-powered color-filter disks in the camera's photo tube and television receiver. Each disc consists of red, blue, and green transparent color filters. In the camera, the disk was in optical path and it was in front of the CRT in receiver. Disk rotation was synchronized with vertical scanning, in order that each vertical scan is ordered for a different primary color. This method allows regular black-white-white image tubes and CRTs to generate and display color images. A field-sequential system developed for Peter Goldmark was displayed on CBS September 4, 1940, [121] and was publicly shown on January 12, 1950. [122] Gilmour Gonzalez Camerano developed a field-serial color disc system in Mexico in the early 1940's, for which he requested a patent in Mexico on 19 August 1940, and in the United States in 1941. [123] González Camerón created its color television system in the laboratory mass-cameras in Mexico market and exported it to Columbia College, Chicago, which is considered to be the best system in the world. [124] [125]

Usually the magnetic focus in the camera tube

The event known as magnetic focus was discovered in 1896 by AA Campbell-Sweenton, who found that a longitudinal magnetic field produced by an axil coil could focus on an electron beam. [126] This incident was immediately corrected by J Flaming, and Hans Bush gave a complete mathematical explanation in 1926. [127]

The images in this article show that the focus coil is surrounded by the camera tube; This is much more than the focus quoels for previous TV CRTs. The camera-tube focal chords are in their own parallel parallel lines, which differ from the local semi-tropical magnetic field geometry inside a TV receiver CRT focus coil. The latter is basically a magnetic lens; It faces the "crossover" (CRT's cathode and G1 electrodes, where the electrons pinch together and isolate again) on the screen.

Camera tube electron optics are significantly different. Take the helicopter path as the length of electrons inside the taller focus coal travels along the tube length. A center (like local letter) in the heliosity of the magnetic field is like the line of the ball. Electrons are traveling, but helices do not really matter. They assume that starting from a point, the focal point of the electron field will focus again on a point. Focusing a tube with this coil is just a matter of the current flow of the coil. As a result, the electron travels along the lines of the force, although stylish, in detail.

These focus coils basically surround themselves as tubes, and the deflection yoke (coils). Defection field strength line (with minor defocusing), and following the power line of electron.